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Peter Thom gave up his company because of a very large job offer from.Apple.
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Even nowadays there are some apps like Roland Zenbeats (compatible with Verselab MV-1) or Loopy Pro (with some native control like Apc40 or Launchpad) so it’s more a confort matter than money. If Apple finally let’s Logic run on iPad pro then gameover. I will say standalone (the older the better) should be a good solution from any brand but if you are going to invest your money/time research a bit about how trusty and experienced are the teams behind so you can expect more or less improvement. saved by third party ex-employee!)Īnyways, since this is my opinion and even my assumptions could be totally wrong. like they did with old Rane hardware recently and like they did with CDX/HDX among others or even the MPC1000. oh wait!Īkai isn't perfect or cheap btw but almost is trying hard to release what was promised and keeping the trust in the brand (or regrowing since Numark had a bad reputation to leave products in the desert. if only someone could point them or users to prevent make that mistake.
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The problem was Apple Silicon release times showing how overpriced (1.6k at release) was M+ against the combo of Mk3 and Mac mini or Macbook air with the full spec software, fanless, battery powered. at the video interview they say that ARM options was considered and not discarded.
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That’s something you can’t do on any other standalone device (unless you build your own) it opens up unique hacks and mods for advanced users." There’s even unofficial support for brave users with a REAKTOR license to experiment using their own ensembles on the device, for instance. But already, it includes dozens of instruments and effects. That ongoing tuning process is part of why you can’t run every single instrument or effect from KOMPLETE on MASCHINE+. “Especially in terms of CPU, RAM and disk I/O – and we’ll continue along this path for the future updates.” “There has been a huge effort to optimise the way system resources are used,” Vincenzo tells me. That’s not to say the team doesn’t work hard to squeeze out even more performance, however. Among other things, that means it requires less onboard memory than a desktop might to achieve a similar level of performance. “That’s the main reason you cannot directly compare the specs of MASCHINE+ to laptops or desktop computers.”Įverything about MASCHINE+’s software has been tuned in advance to run smoothly with the hardware. “The OS is tailored to this specific hardware, and it only runs a minimal set of services that are used by the main application,” says Vincenzo. NI’s OS, however, is not exactly what you may think of when you imagine Linux.
"The decision to use Linux came even before choosing a CPU – the team ran benchmarks on a number of different platforms before settling on the Intel Atom based on a combination of raw performance and other elements like thermal behavior and long-term availability.
Eventually, he came up with the concept for Looptunes because he wanted a performance-oriented tool that inspires and creates music fast." Īnd Retronyms MPC apps as certain features from iMPC2 where finally at hardware (like Ducker icon) He worked for Akai until 2015 and then decided to pursue his own dreams again. He sold it to Akai Professional in 2010 and it became the code base for the MPC software that launched in 2012. " Aside from doing several audio programming gigs for companies including Euphonix, Pinnacle Systems, and Presonus, he also worked on his own pet project in the late 2000's, a software drum machine. You maybe are asking yourself why NI doesn't go the same direction and I hope they keep improving their M+ over time but the difference between Akai and NI embedding technologies makes it a bit harder for berliners.Īkai proposal is build upon the merging from desktop MPC software developed by Peter Thom
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Well AkaiOS started with lots of missing functions but Akai seems prone to update these after long time so kudos to them.
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